Beautiful vistas, good acting, fascinating subject matter, but a slow and nauseating movie-watching experience!
Landing on the moon was perhaps the biggest human achievement of 20th century. You would hardly find somebody who doesn't know who the first man on the moon was, and what statement he made when he took that small step for a man, but a giant leap for mankind.
First Man follows Neil Armstrong's journey throughout the 1960's and shows his rise from a test pilot to the most celebrated astronaut of all time. The journey was filled with personal losses, sacrifices, trials and tribulations.
Ryan Gosling brings in his usually focused, yet cold and detached persona to the movie. I watched some interviews with the real Neil Armstrong that were filmed after the moon landing. I found his personality to be modest and somewhat cheerful, which is not the same as Gosling's personification. But I'm sure Gosling and Damien Chazelle (the director) have done their background research diligently, and what they depicted in the movie is perhaps accurate to that point in Armstrong's life.
Cinematography of the First Man is simply breathtaking! It takes you to that claustrophobic cockpit with Armstrong and co on their flight to the moon. This faithful depiction also makes you feel every bump and shake, and this 'virtual reality' made me somewhat nauseous! That said, the cinematography is surely a contender comes the award season this year.
In addition to the eerie and melancholic characterization of Armstrong and his wife, and the nauseating flight scenes, the pace of the movie was slow with no payoff. Ending the movie with a dark feeling and no payoff is quite disappointing considering that the story ends with ultimate climax in human history (i.e., landing on the moon)!
Fans of cinematography will appreciate the film, but the other aspects of the movie were underwhelming and below my expectations. But for the beautiful shots, I'd give it a 6.5/10.
Thursday, October 18, 2018
Tuesday, October 9, 2018
A Star is Born (2018)
Hollywood has been telling this fairy tale since 1937 with the first rendition of A Star is Born (or 1932's What Price Hollywood). It is an archetypical showbiz story that has resonated for many decades, and will certainly stay relevant in the decades to come.
The title tells us that the movie is about the birth of a star, but it fails to disclose that one star falls while the other rises. Bradley Cooper plays the role of Jackson Maine, a burnt out, alcoholic, pill popping, rockstar with an ever-growing case of tinnitus. After a gig, while he's trying to sink his sorrows in the bottle, he hears Ally's (Lady Gaga) performance of La Vie en Rose. Ally's raw talent is a jolt of electricity that resuscitates Jackson's passion for music. He holds Ally's hands and takes her with him on tour, asks her to perform and write music. Jackson's resurgence doesn't last for long though, as he fall deeper down the spiral of drinking and taking drugs.
Bradley Cooper, the lead actor, director, screen writer, producer, songwriter, and editor, shines and gives a career best performance. He is magnificent as the burnt out rockstar (with a surprisingly good musical performance for an actor). The movie's script makes you care about these characters, believe in the organic growth of their relationship, and sympathize with their struggles. The cinematography makes you feel you're on stage with these stars. The pacing is also excellent as the 136 minute runtime of the movie flies by.
As for the other cast members, Lady Gaga is phenomenal as the insecure ingenue who grows more confident and comfortable in her own skin. Sam Elliot, although somewhat underused in the movie, adds the final magic touch that elevates to movie to another level.
This was one of the best movies of 2018, and undoubtedly will receive numerous nominations come the award season. If it isn't already obvious, A Star is Born was a 10/10 for me.
P.S. A Star is Born is inevitably going to be compared with La La Land (2016), the other Hollywood fairy tale musical. They both depict the rise of a star in the entertainment industry, and also show the difficulties of surviving in such environments. But that is where the similarities end. The characters, struggles, story beats, and even the musical genres are significantly different from one another.
The title tells us that the movie is about the birth of a star, but it fails to disclose that one star falls while the other rises. Bradley Cooper plays the role of Jackson Maine, a burnt out, alcoholic, pill popping, rockstar with an ever-growing case of tinnitus. After a gig, while he's trying to sink his sorrows in the bottle, he hears Ally's (Lady Gaga) performance of La Vie en Rose. Ally's raw talent is a jolt of electricity that resuscitates Jackson's passion for music. He holds Ally's hands and takes her with him on tour, asks her to perform and write music. Jackson's resurgence doesn't last for long though, as he fall deeper down the spiral of drinking and taking drugs.
Bradley Cooper, the lead actor, director, screen writer, producer, songwriter, and editor, shines and gives a career best performance. He is magnificent as the burnt out rockstar (with a surprisingly good musical performance for an actor). The movie's script makes you care about these characters, believe in the organic growth of their relationship, and sympathize with their struggles. The cinematography makes you feel you're on stage with these stars. The pacing is also excellent as the 136 minute runtime of the movie flies by.
As for the other cast members, Lady Gaga is phenomenal as the insecure ingenue who grows more confident and comfortable in her own skin. Sam Elliot, although somewhat underused in the movie, adds the final magic touch that elevates to movie to another level.
This was one of the best movies of 2018, and undoubtedly will receive numerous nominations come the award season. If it isn't already obvious, A Star is Born was a 10/10 for me.
P.S. A Star is Born is inevitably going to be compared with La La Land (2016), the other Hollywood fairy tale musical. They both depict the rise of a star in the entertainment industry, and also show the difficulties of surviving in such environments. But that is where the similarities end. The characters, struggles, story beats, and even the musical genres are significantly different from one another.
Thursday, September 20, 2018
Destination Wedding (2018)
What happens when two nihilistic and bitter intellectuals are stuck together for a weekend in a strange new place, and forced to celebrate a happy couple's nuptials? Destination Wedding paints that picture for you in a hilariously smart fashion!
Keanu Reeves and Winona Ryder had starred in three other movies before this one. So, it goes without saying that they have great chemistry. Reeves plays an advertising executive, while Ryder is a lawyer specializing in civil and social injustice issues. Both are incredibly smart, and at the same time, cynical of the world. These two end up sitting next to one another on their flight to the destination (for a wedding, as the title suggests), have adjacent hotel rooms, and are put on the same table at the wedding. They repel one another cause they are basically the same! Cherry on top is the fact that Winona Ryder's character was engaged to the groom a few years back. And, the groom is Keanu Reeves' estranged half brother.
A bit shorter than 90 minutes, the whole movie focuses on these two characters, their conversations and witty banter. You see other actors in the background, but they don't have speaking roles. Victor Levin, the movies' director and screen writer, needs to be commended for his brilliant dialogue, beautiful long shots, and making a film that may not work on the paper - particularly in the era of superheroes and audiences with possibly the shortest attention spans in history.
I loved the dialogue, acting, and the whole movie as a device for the screenwriter to express his world view! I give the movie a 10/10 for this bold effort.
Keanu Reeves and Winona Ryder had starred in three other movies before this one. So, it goes without saying that they have great chemistry. Reeves plays an advertising executive, while Ryder is a lawyer specializing in civil and social injustice issues. Both are incredibly smart, and at the same time, cynical of the world. These two end up sitting next to one another on their flight to the destination (for a wedding, as the title suggests), have adjacent hotel rooms, and are put on the same table at the wedding. They repel one another cause they are basically the same! Cherry on top is the fact that Winona Ryder's character was engaged to the groom a few years back. And, the groom is Keanu Reeves' estranged half brother.
A bit shorter than 90 minutes, the whole movie focuses on these two characters, their conversations and witty banter. You see other actors in the background, but they don't have speaking roles. Victor Levin, the movies' director and screen writer, needs to be commended for his brilliant dialogue, beautiful long shots, and making a film that may not work on the paper - particularly in the era of superheroes and audiences with possibly the shortest attention spans in history.
I loved the dialogue, acting, and the whole movie as a device for the screenwriter to express his world view! I give the movie a 10/10 for this bold effort.
Wednesday, March 1, 2017
John Wick: Chapter 2 (2017)
Bigger, louder, flashier, and more brutal than the predecessor, Chapter 2 delves deeper into the league of assassins. It's a well-made movie with nice practical effects and choreography, but at the same time, the great number of head-shots might make you numb halfway through the movie.
If you have seen the first John Wick movie in 2014, you'd have a pretty good expectation of the action, style, and the deep and detailed universe that the movie is set in. Events Chapter 2 start just a few days after the end of the first film and show how the titular character is trying to wrap up loose ends. But as it seems that the movie is about to slow down, a blast from the past hits John and pulls him back in.
The best part about the movie is the rich universe that it has created; from the Continental hotel to the tailors and sommeliers! Ian McShane particularly shines as the manager of the New York branch. Of course Keanu Reeves is great as well. His dedication to the stunts is somewhat comparable to Tom Cruise's. Other than these two, other supporting characters were not memorable, or even at points they were really annoying (I'm talking about Ruby Rose's character).
The story is interesting and compelling. It builds on what we saw in the first movie. Here John is not as sympathetic has he was there, but still he is the classic hero that you root for. As I mentioned, everything is super-sized in this instalment. However, too much of a good thing may not necessarily be good. As I mentioned earlier, the body count is so large that the fight scenes lose their allure.
Overall, it's a very entertaining and well-made movie. Fans of the first film should definitely watch it. I'd give it an 8.5/10. I am also curious to see where they will take the character for Chapter 3.
If you have seen the first John Wick movie in 2014, you'd have a pretty good expectation of the action, style, and the deep and detailed universe that the movie is set in. Events Chapter 2 start just a few days after the end of the first film and show how the titular character is trying to wrap up loose ends. But as it seems that the movie is about to slow down, a blast from the past hits John and pulls him back in.
The best part about the movie is the rich universe that it has created; from the Continental hotel to the tailors and sommeliers! Ian McShane particularly shines as the manager of the New York branch. Of course Keanu Reeves is great as well. His dedication to the stunts is somewhat comparable to Tom Cruise's. Other than these two, other supporting characters were not memorable, or even at points they were really annoying (I'm talking about Ruby Rose's character).
The story is interesting and compelling. It builds on what we saw in the first movie. Here John is not as sympathetic has he was there, but still he is the classic hero that you root for. As I mentioned, everything is super-sized in this instalment. However, too much of a good thing may not necessarily be good. As I mentioned earlier, the body count is so large that the fight scenes lose their allure.
Overall, it's a very entertaining and well-made movie. Fans of the first film should definitely watch it. I'd give it an 8.5/10. I am also curious to see where they will take the character for Chapter 3.
Monday, February 27, 2017
Oscar Results (2017)
Out of the 12 categories that I predicted, I got 10 of them right. I missed the best original screenplay - which no one thought would go to Manchester by the see - and best director. Saving grace is that Damien Chazelle, who had my vote, ended up winning. So overall, I'd like to say my score was 10.5/12 - which was better than last year!
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Category
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Nominees
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Prediction
|
My
Vote
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Oscars
|
|
Best Picture
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Arrival
|
|
||
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Fences
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|
|||
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Hacksaw Ridge
|
|
|||
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Hell or High Water
|
|
|||
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Hidden Figures
|
|
|||
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La La Land
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✔
|
|
||
|
Lion
|
|
|||
|
Manchester by the Sea
|
|
|||
|
Moonlight
|
✔
|
✔
|
||
|
Directing
|
Arrival
|
|
||
|
Hacksaw Ridge
|
|
|||
|
La La Land
|
✔
|
✔
|
||
|
Manchester by the Sea
|
|
|||
|
Moonlight
|
✔
|
|
||
|
Best Actor
|
Casey Affleck – Manchester by the Sea
|
✔
|
✔
|
|
|
Andrew Garfield – Hacksaw Ridge
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|
|||
|
Ryan Gosling – La La Land
|
✔
|
|
||
|
Viggo Mortensen – Captain Fantastic
|
|
|||
|
Denzel Washington – Fences
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|
|||
|
Best Actress
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Isabelle Huppert – Elle
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|
||
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Ruth Negga – Loving
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|
|||
|
Natalie Portman – Jackie
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|
|||
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Emma Stone – La La Land
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✔
|
✔
|
✔
|
|
|
Meryl Streep – Florence Foster Jenkins
|
|
|||
|
Best Supporting Actor
|
Mahershala Ali – Moonlight
|
✔
|
✔
|
|
|
Jeff Bridges – Hell or High Water
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|
|||
|
Lucas Hedge – Manchester by the Sea
|
|
|||
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Dev Patel – Lion
|
|
|||
|
Michael Shannon – Nocturnal Animals
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✔
|
|
||
|
Best Supporting Actress
|
Viola Davis – Fences
|
✔
|
✔
|
✔
|
|
Naomie Harris – Moonlight
|
|
|||
|
Nicole Kidman – Lion
|
|
|||
|
Octavia Spencer – Hidden Figures
|
|
|||
|
Michelle Williams – Manchester by the Sea
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|
|||
|
Best Original Screenplay
|
Hell or High Water
|
|
||
|
La La Land
|
✔
|
✔
|
|
|
|
The Lobster
|
|
|||
|
Manchester by the Sea
|
✔
|
|||
|
20th Century Women
|
|
|||
|
Best Adapted Screenplay
|
Arrival
|
|
||
|
Fences
|
|
|||
|
Hidden Figures
|
✔
|
|
||
|
Lion
|
|
|||
|
Moonlight
|
✔
|
✔
|
||
|
Best Animated Feature Film
|
Kubo and the Two Strings
|
|
||
|
Moana
|
|
|||
|
My Life as a Zucchini
|
|
|||
|
The Red Turtle
|
|
|||
|
Zootopia
|
✔
|
✔
|
✔
|
|
|
Best Original Score
|
Jackie
|
|
||
|
La La Land
|
✔
|
✔
|
✔
|
|
|
Lion
|
|
|||
|
Moonlight
|
|
|||
|
Passengers
|
|
|||
|
Best Original Song
|
La La Land (Audition)
|
|
||
|
Trolls
|
|
|||
|
La La Land (City of Stars)
|
✔
|
✔
|
✔
|
|
|
Jim: The James Foley Story
|
|
|||
|
Moana
|
|
|||
|
Best Cinematography
|
Arrival
|
|
||
|
La La Land
|
✔
|
✔
|
✔
|
|
|
Lion
|
|
|||
|
Moonlight
|
|
|||
|
Silence
|
|
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